lettre #002 edition: city escape w/ Felix & Jan

lettre #002 edition: city escape w/ Felix & Jan

lettre #002 edition: city escape w/ Felix & Jan

Written by Jan & Felix

Juni 28, 2020

Welcome to the newsletter of kollektiv individualismus! Please click here for the german version. 

 

Bonjour!

On with number two. A certain topic and some music, that’s what we had planned for our monthly newsletter. The first issue was sent out in May, when we were all very impressed by Corona, could breathe a sigh of relief, and wrote about starting over. We are still curious to hear from you whether you enjoyed it. Thank you for all the feedback we have already received, we are very happy about that. 

We’re all terribly plagued and annoyed by this imposition called Corona (right?), so we’re relaxing a bit on this front and trying to create a Corona-free edition. Now let’s look together at a very peculiar relationship that we all know, namely how and where we live where and where we escape to when everything becomes too much for us. We are sending this second issue of lettre under the title city escape. Voilà. Good music is of course also included (further down and in the newsletter playlist) Have fun!

 

Focus.

We two authors of this newsletter have experienced the peak phase of the Corona crisis is completely different living situations. One stayed in his flat in Berlin, the other escaped the city and spent the days more or less in the countryside, a few kilometres from Hamburg. So we deliberately asked ourselves where and with whom we wanted to spend this probably unique time. That place suddenly became so relevant.

Suddenly we really had to be at home and „live“ there. Suddenly, most of our lives actually took place at home and not, as usual, outside of it. Can you actually imagine that? In the past, generations spent most of their lives at home. Today, for many, this is an exceptional state that is hard to bear. The corona pandemic has condemned the modern nomad (us) to immobility. What does that do to us? How and where do we really want to live? We were forced to deal more intensively with that question. The longer we think about it, the more we get lost in a labyrinth of thoughts and mind games. We want to try to structure this a bit and play our idea ping-pong in three sets: City – Countryside – Escape.

Music N°1

A friend once told me that Lisbon, OH by Bon Iver is the perfect first song for almost any mixtape. He’s right. It’s some kind of an inner peace catalyst, the pep talk of any playlist. The sirens, the blips, and beeps, the weird chords at the beginning have something so mechanical, synthetic, and captivating. A chord dissolves this corset at exactly the right moment. It’s an incredible satisfaction. The listener will now turn to your mixtape with an appropriate attention. Believe me!

But on to the gentleman we’re supposed to be talking about, Justin Vernon, formally known as Bon Iver. We’ll assume that no further introduction is necessary at this point. But what some may not know: Justin Vernon comes from the deep countryside of Wisconsin and lives to this day in the small and quiet town of Eau Claire, which makes him so interesting for this lettre. He has deliberately, despite rising Instagram Follower numbers, decided against his own urbanization. Moreover, Vernon tries to use his success to give something back to the community: He curates a festival in the city, has the big names in the industry appear in his studio, gives the grandiose film Give Me Liberty a soundtrack and tries to help artists and cultural workers in the region. Pitchfork also visited him last year and wrote a nice story about it. Culture and urban exodus, so it fits together after all. That’s reassuring. 

We now also want to use Lisbon,OH to introduce a tiny little miniature Bon Iver mixtape. It will be followed by Minnesota, WI, Skinny Love, and 33 „GOD“. A little journey through the musical world of Bon Iver. A little homage to the god of vocoder and, in our minds, probably the greatest pop artist of our time.

CITY.

Cities are something absolutely fascinating. 77% of Germans live in cities. Cities live with the paradox that one is never alone and yet often feels alone, as it was beautifully written on zeit.de.

Abstraction: Condensed diversity as a unity. A totally contradictory conglomerate of the most diverse actors and functions, interconnected and dependent on each other in the smallest of spaces. A colourful potpourri. We observe all sorts of impossible things (lack of broadband, broken schools and bicycle paths, traffic jams, streets full of avalanches, littered parks, crime, sluggish energy turnaround, etc.) that suddenly become possible in concrete spaces a.k.a. neighborhoods. In other words, the city of today is actually a laboratory of transformation: macro-structures of society that must somehow function in the microcosm of the city. We have to cope with each other and that’s how city life is organized. From a certain level of disorder, order emerges in the system (cyberneticists say „order from noise“). Conversely, order also enables a level of disorder: we can live together peacefully in the city. It is only because we have an ordering structure that gives us stability that we can live out so many differences in political attitudes, people, religions, sexual orientations, etc. 

Concretization: If the city can solve problems, it means: forget the UN, forget Trump and other unscrupulous jerks – they will not solve your problems. Get out on the streets and do something! Demand climate justice, fight against racism, equality, and solidarity. Cities will drive change.

Citylife in Paris, 2018

Week after week we immerse ourselves in this wonderful world that the city throws at our feet. We sweat in small concert halls, sit in renowned theatres and hip art house cinemas or eat around the world three times in one day. We enjoy it all, we would say, sometimes we even lose the sense of how much culture we consume (yes, consuming is often the right word here, but this is a completely different newsletter).

An exciting thought, which is also taken up in the article linked above: „Free time is spent. People consume the city, just as they consume each other.“

Music N°2

When I watched the wonderful film Caro Diario by Nanni Moretti (1993) with my girlfriend and I saw him driving his Vespa through a deserted Rome, I heard a song I knew from my childhood: Batonga by the Beninese-French singer Angélique Kidjo. Even though I didn’t know what was sung (which is often the case), I loved this song and memorized the cover of the album Logozo. Batonga inevitably reminds me of the powerful hi-fi system in the living room at that time and dancing on the thick red carpet as kids. The song is so cool, casual and driving. Highly recommended.  

By the way, the same goes for Caro Diario, a film that is a journey of self-discovery. What’s it about? At first, I wondered if it was even about something. Because first of all, it seems to be three movies in one. We roam the hot streets of Rome with Moretti (and his Vespa) and he refuses to find much beauty in this most beautiful of cities. Then we flee the city, visit the tiny islands off Calabria and fail to find much serenity, even though the place just screams for it. In the third part, we get comically serious again about the absurdity of our lives. Often the filmmaker seems to be on a journey without a destination. Sympathetic.  

There is a scene in the film where the narrative is omitted and we follow Moretti to the place outside Rome where the poet and film director Pier Paolo Pasolini was murdered in November 1975. Very minimalist shots filmed behind the Vespa, edited to an intoxicating improvisation by Keith Jarrett. A moment of light, movement, rhythm, flickering shapes, and silence. The Köln Concert and the most successful solo jazz album ever. 

Moretti in Rome, 1993

COUNTRYSIDE.

We long for the peace of the village, we want to be outside and not locked up in apartments, we want to go into the forest and not into boring city parks, not waste our time on traffic lights. Or do we, who so often see ourselves as hyperdynamic and -adaptable digital natives and globetrotters, realize that the world in the city is increasingly turning too fast for us too?

A surrender, then? Perhaps more a striving for the original, a longing for the beauty of simplicity in a certain way. An escape from urban anonymity in search of a place where one actually lives, instead of just staying there.

We begin to question whether the city is really the only conceivable reality for us. For many of us, the village seems like a kind of apocalyptic end-of-life stop. There live bourgeoisie or those who secretly want to become one. Beyond these prejudices, however, you can quickly get on your bike in the village and start riding or just jump into the lake that is just around the corner. You can be loud because your next neighbor is not sitting behind the living room wall or you can go shopping in farm shops for organic and regional products. With a little creativity, you can even transfer quite a lot of city features to country life, preferably without taking all the bugs with you.

Countrylife in France, 2020

Music N°3

Those who have been following us for a while should know it, the soundtrack of the week. Since 2016 we have been selecting and sharing 52,1429 times a year (sometimes 52, sometimes 53!) a particularly listenable, hip or interesting track. In a way, the playlist of all SdW is a nice overview of favorite music. We admit, currently we do not always manage to deliver weekly, but we are working on it. Recently, the Belgian power woman Angèle was our SdW. Why she impresses, although it is not really Felix music, you can read here. Angèle’s music is smart, poppy, a little bit sad, and at the same time a little bit danceable and therefore stands for our time.

Felix in Bourgundy, 2020

ESCAPE.

Now what? Pack your bags, take down the furniture and go? Has the city had its day, or is the lust for the country, the longing of the city dwellers, driven by something else? A subliminal striving for complexity reduction and simplicity? Perhaps simply a possible answer to the search for the good life?

Would we even be able to live in the country? Knowing on Mondays what you want to eat on Thursdays so that you don’t have to rush to the supermarket in the next village again on Wednesday. Let’s not fool ourselves. Although almost half of those surveyed would like to move to the countryside and the evoked urban exodus was already a mega essay topic at school, very few of them end up there. Fantastic yes, but please only for a weekend: Smell the hay and relax. 

Instead, rather a short escape and then bring a piece of nature to the city: Monstera or a rooftop garden. We (young people) enjoy the diversity of the city – our greatest asset, the starting point for our enormous mobility, the breeding ground of our culture, our being, or for experiments like this newsletter. Wouldn’t it be a bit naive, maybe even fatal, to simply throw all that overboard? Peace, a well-known neighbor, village gossip,(partly bizarre) customs, leisure time without paying anything. At the very least, it would require the courage to take risks, to be disappointed and to make sacrifices. Really? The question could also be whether that diversity is inevitably tied to the urban space. And, can’t we pursue our desires, the really important things, regardless of location anyway? 

Where do we go next and what happens next? We are not able to predict that, but thinking about it is fun and in the end, we are the ones who create the urban-rural escape. Let’s set ourselves in motion! Let us design. The corona pandemic is likely to change our cities forever and will also change our high level of mobility. And perhaps we will be drawn out into the countryside in the long term after all. Here’s to a cold drink!

Cheers! 

Jan & Felix

Music N°4

Of course this song should not be missing in such a lettre! Die Höchste Eisenbahn are wonderful storytellers. Poetic, often melodramatic lyrics, wonderful pictures, lots of kitsch but cleverly packed and told all the more beautifully. 

Raus aufs Land is actually about Kai and how Kai steals the singers girlfriend. But if you put Kai aside, the story of a failed city escape is told here.

    Und hier gibt es keine Busse
    Und die Landluft macht uns so frei
    Und ich liebe Autofahren
    Und du liebst inzwischen Kai

    Ist es das was du immer wolltest, was dir immer so stank?
    In unserer Zwei-Zimmerwohnung, meintest du das mit raus aufs Land?

 
There it is again, this discord.

The end.

This was our second newsletter. We hope you enjoyed it. We are happy about feedback, possible recommendation, and also about new subscriptions. In fact, no one else will know about this newsletter because we do not run any ads. So it remains only your recommendation. As the saying goes: Subscribe now. The email to the lettre is newsletter@kollektivindividualismus.de. By the way, you can also check out our website. Nice place to hang out at. Stay tuned.

Picture credits: © Jan Nitschke © Felix Vieg © TVtropes © Felix Vieg © Felix Vieg

Copyright © 2020 Kollektivindividualismus,
https://kollektivindividualismus.de/
All rights reserved.

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A short Introduction

A short Introduction

Written by Jan & Felix

Mai 16, 2020

Welcome to the newsletter of kollektiv individualimus!

EN

Hello everyone!

Thank you for choosing our newsletter!

We are Felix and Jan – the people behind kollektiv individualismus – and we are really happy that you are joining tus on this adventure.

Before we say something about what we intend to do here, let’s say something about the english version of our newsletter and the recently re-launched website.

The newsletter: We’re writing our newsletter in German and since we only have one subscription list we’re sending the german version to everyone who subscribed. Nonetheless we will try to accompany each version with a decent translation. You will have to select English (EN) in the top right corner of the header.

The website: Most postings on our website are about music. Since music knows no borders but all languages we just leave them as they are. You can check out our weekly recommendation of music (SdW – Sountrack of the week), our playlists (on Spotify too) and more to come. For the rest of the website we chose a bilingual approach by adding in grey an english version of the most important little texts and hints.

Why newsletters are great.

Newsletters are great. You don’t have to rely on algorithms to find content. You can subscribe or unsubscribe to specific content. We recommend this intentional approach. You can get in and out. One can intervene, reply or simply read along. You can read it when and where you want. We think this is really great and want to try it out! Because there are already many great newsletters on a daily basis, and we don’t want to overload ourselves or our recipients, we send a monthly mail.

The whole thing should be and remain a project from friends for friends. As always, we are free of advertising and do not collect any data from you – except for email addresses and optionally names.

About the format.

The plan is the following: every month a certain topic and some music, a few beautiful, wild or beautifully wild lines, something to think about, something to listen to, something to laugh or cry to. A letter about present times and music. We stick to our old credo: relax where contradiction meets beautiful observations. Here we play Ping Pong with ideas and music. Finally everything makes no sense. Have fun!

Soon we’ll start!

That was a short introduction to the program, now you can look forward to the next newsletter, which hopefully will reach you soon.

We are looking forward to feedback, any recommendation and also new subscriptions. The e-mail address for the newsletter is: newsletter@kollektivindividualismus.de.

Stay tuned.

Sincerely,

Felix and Jan

Soundtrack der Woche

SdW

lettre #003 edition: restlessness

Bonjour! Here comes issue three of our newsletter - not quite in July anymore. But there you go. We had the idea to write a monthly newsletter about a topic and some music at the beginning of 2020. Was that a good idea? We hesitated about it for a moment when we...

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lettre #003 edition: Unruhe

Willkommen zum Newsletter von kollektiv individualimus! Welcome to the newsletter of kollektiv individualismus! Please click here for the english version.    Bonjour! Hier kommt Ausgabe drei von unserem Newsletter - nicht mehr so ganz im Juli. Bitteschön. Die...

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lettre #001 edition: start over w/ Felix & Jan

lettre #001 edition: start over w/ Felix & Jan

Written by Jan & Felix

Mai 16, 2020

Welcome to the newsletter of kollektiv individualimus!

english version

 

Bonjour everyone!

Nice to have you with us. From now on we will send a monthly newsletter on a certain topic and some music. A few beautiful, wild or beautiful-wild lines, something to think about, something to listen to, something to laugh or cry to. We stick to our old credo: Relax where contradiction meets beautiful observations. Here we play Ping Pong with ideas and music. As always: Without advertising. Finally everything makes no sense. Have fun!

Please check our english introductory mail for some basic information about the authors, the format and the details of the english version.

neu anfangen.*

How do you start over? How do we begin something new? Before we were physically distanced from each other, we had the idea of a newsletter during one of our many evenings together. A little restart for our blog, a new look and new ideas in the center of attention. Usually we take a white, blank piece of paper and just start sketching. The first step was simply the feeling or let’s say the insight into the necessity (Einsicht in die Notwendigkeit) of a new big step. Et voilà, here we are. Starting over. Our first issue of lettre is sent out.

*means something like starting over or begin anew

Okay, admittedly, we didn’t know we wouldn’t be sitting together again soon. How fragile is our „normal“? On the one hand, it didn’t necessarily make the new start any easier. And on the other hand, we now find optimal conditions to start. During this time we find that nothing stays as it was. Almost everyone is experiencing the time right now like in a film. A feeling of unreal reality somehow. Suddenly we have a crisis that everyone is afraid of, even the narrow-minded, and not, as with the climate crisis, the foresighted.

We learn a lot about modern society. To quote the German sociologist Armin Nassehi with Adorno: there is no place outside the gearbox. Neither theoretically nor empirically. This is not new, but rarely as visible as it is now. So is the pandemic a kind of visual aid? We now suddenly see social inequality, global dependencies and new nationalism. We understand: curves that go down can give hope, falling numbers are now confidence. Expansion is not a value in itself, slowing down can increase security, and what matters is the human element, solidarity and cooperation, unpaid or underpaid work, mostly by women, and emotional intelligence. When we look over the Atlantic, we see very clearly (and George Packer put it neatly) that stupidity and injustice are dangerous to life, that the alternative to solidarity is perhaps only death.

We learn a lot about ourselves. Sundays all the time. Staying home. About our impatience. About our human need for co-presence. About loneliness as freedom. About a moment of self-calibration. We encounter our self. This is what we should maintain: pause, renew and, where possible, begin anew.

We may all have been involved with contemplation (ϑεωρία) recently, with philosophical thoughts, questions of meaning. Sudden clarity in the minds of many, although we as a society in the fog of the invisible threat can and should only drive on sight. Days when we buy nothing. The sky free of airplanes. Roads for cyclists alone. This can be enjoyed. But we must also talk about the difficulties of isolation for many less privileged people. Finally a little break from the stressful everyday life in a hyper-globalized world? One must also be able to afford the joy of renunciation. My balcony, the big kitchen in the shared flat and my own room as a retreat, that’s all a little bit of luxury. The Corona crisis is hitting many people hard, some particularly hard, but above all – or so it seems – the happy home office employees are complaining. Others develop conspiracy theories – a way of dealing with fear, complexity and uncertainty, an understandable but dangerous way of starting over. Let’s not fool ourselves, nothing will be the same as before. A serious promise that everything will be the same as before is hard to imagine and simply naive.

But a new and sustainable restart, why not? The measures were probably largely without alternative, but a return to the exact same old crises of normality is not. Perhaps it is even impossible. The window is now wide open and a gentle breeze is blowing. We should start over. All together.

 

See you soon!

Jan & Felix

Music. N°1

We want to start with an artist who has managed to find a place for (in the broadest sense) piano music in our zeitgeist. Nils Frahm is appreciated by lovers of classical classical music, from music editors to ravers (at least since he worked with DJ Koze on the soundtrack for the movie Victoria). He was allowed to set up his studio in the Funkhaus in Berlin, at concerts he runs from one piano to the next and turns around countless controls. He is one of those damn cool and loveable nerds.

We want to hear two pieces in a row:
In my friend the forest, a grandiosely puristic recording, Frahm brings everything from his piano directly to our ears. Every pedal, every steel side, dampers, case, hammers and springs. We are completely thrown back to the essentials.

In sunson there is not much left of the classical piano, but this piece is exemplary for what makes him stand out: he manages to tell wild stories that absolutely fit into our time. The old piano music can also tell stories. It’s just that we young people often (still) don’t quite understand them.

The Internet.

You can still visit our website on the Internet. We have started a little bit new there as well. It will be quieter and more lively en même temps. You can listen to our evergreen soundtrack of the week (SdW for short), enjoy hand-picked playlists and just hang out for a while if you feel like it.

„Social“ networks.

We’ll soon be saying goodbye to our social media accounts in silence (admittedly, there wasn’t much activity there either). We wish for a more conscious approach to things. Facebook and Instagram will be buried. We count on you and the newsletter. Hopefully we bet on the right horse!

Music. N°2

How do you actually listen to your music? Spotify users may find the medium itself temporarily overwhelming. That’s how it happens to me at times. When your own music world only consists of single tracks of millions of – pardon me – arbitrary artists. Everything available – nothing to enjoy. When was the last time you heard an entire record? Just like that, from beginning to end, like my dad. „That’s a bit much!“, you’ll think, but listen to the whole album! (This is especially easy with CDs or records.)

A great album to practice this pleasure is the new Czenias by Nicolas Jaar (alternative link), my absolute favourite artist. I don’t want to reveal too much now, but you won’t be disappointed. Czenias means ashes in Spanish, if I am correct. A symbol of decline and new beginnings alike. Nicolas Jaar creates an album with every track being strangely different and unique – without exeption, this is their only common ground and can be understood as a kind of roadshow to all the boundaries of electronic experimental music. Only the last track sounds like his unsurpassed debut album Space is only noise. You notice, the man also has a talent for titles. [If you have a zoom call right away and want to consume in a compressed form, you may cheat a bit: Garden – Xerox – Faith Made of Silk (in this order)]

A little more of starting over.

A nice thought: we must now show solidarity with the old and with all those who are particularly vulnerable. And that is what is happening successfully. So after the crisis we should say: Now we are doing it the other way round. Now it is a matter of the young, the next generation. Now we are in solidarity with them. If the ecological crisis was not yet visible enough, not tangible enough, then we should make it clear to all people that there is a multiple of what we now perceive as a threat. Period.

We cannot point out often enough how striking the parallels are with the climate crisis. Le Monde Diplomatique describes this very cleverly and in hopeful tones. You can read the article here (in german) (in french) (in spanish).

Bernd Scherer, Director of HKW Berlin, writes in the FAZ: [since the Whatever it takes rescue practice that our unchecked growth brings along ] „cannot be applied forever, the challenge of the corona pandemic is to develop new […] practices and ways of thinking, even a new alphabet of living and living together“. Find the beautiful english version here.

And yes, things are happening which seemed to be completely impossible (keyword: Schwarze Null [a german doctrine, Balanced budget amendment). The future is now fundamentally open. Now that trillions have been and will be distributed, the state will have to think about refinancing the costs and this will lead to exciting and important political debates. When companies are rescued, the state can (and should) tie this to conditions such as resilience and sustainability. As Sven Giegold, a MEP from the European Greens, put it nicely, the state must not represent the taxpayer worse than a fund manager represents his investors.

Good news for all those who cannot make friends with Steady or Degrowth thoughts in the current situation: According to a study led by environmental economist Cameron Hepburn of Oxford University, stimulus packages that integrate sustainability conditions are superior to conventional alternatives. They bring lower costs, more jobs and higher returns, for example, when investing in renewable energies and digital networks.

Music. N°3

We continue with Isolation Berlin, which, besides the equally fantastic band Die Nerven, is pretty much the best German rock band.
In terms of content the guys from Berlin (surprise!) move between hopelessness and romantic longing for meaning in the urban jungle. That all sounds a bit gloomy now, maybe it is, but they hit a nerve with me. It is the ambivalence between the wild, exciting, boundlessly big city and the anonymity and indifference, the ignorance and the so quickly transitory, which somehow fascinates and disgusts us all at the same time.

Is there no alternative or do you just lack the courage to try something different? urban exodus, is that a thing? For Isolation Berlin, the train seems to have left for a new beginning, but actually it doesn’t even stop here. „[Sunken] in Isolation Berlin“ they sing of their souls worn down by the big city. Wonderful!

Music N°4

When I dream myself to this place in Paris, I hear Diane from Paul Bley and Chet Baker. And in the face of the Corona era, alone together or Alone Together by Chet Baker. Wow.

The end.

This was our first newsletter. We hope you liked it. We are happy about feedback, possible recommendation and also about new subscriptions. As they say: Subscribe now. The email to the letter is newsletter@kollektivindividualismus.de. Please stay with us.

Copyright © 2020 Kollektivindividualismus,
https://kollektivindividualismus.de/
All rights reserved.

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A short Introduction

Welcome to the newsletter of kollektiv individualimus! ENHello everyone! Thank you for choosing our newsletter!We are Felix and Jan - the people behind kollektiv individualismus - and we are really happy that you are joining tus on this adventure. Before we say...

mehr lesen

soundtrack of the week

SdW

FOLLOW US ON SPOTIFY
Or just tell your friends <3

Join Our Newsletter

Wir hassen Spam. Einmal im Monat gibt's eine tolle Email. Sie können jederzeit Ihr Newsletterabonnement ändern.

We hate Spam. Once a month we will send you a beautiful email. You can always change your subscription preference.

Entstanden in Bonn

made w/ love

© 2020